Kickstarter Founder Perry Chen on Art in the Age of Hypercomplexity

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It is no solution that right now we dwell in a world of dizzying, gobsmacking, and at any time-intensifying complexity. All the things from the computers we carry in our pockets to the vaccines preventing the pandemic to the world-wide networks that underpin our economies count on these kinds of astonishing labyrinths of complexity that any 1 factor demands a workforce of specialists to really make feeling of it—and which is not even to point out the complexity of our purely natural universe, which only grows more intricate, not significantly less, the far more we master about it.

Just one way to deal with this very puzzling condition of affairs is to pretend it does not exist, or to access after comforting conspiracy theories, as people today have since the delivery of religion at the dawn of time. The artist Perry Chen prefers to consider this complexity head on—to genuinely get in there and wrassle with it, creating artwork that appears to be at this epistemological phenomenon from all angles.

Perry Chen, We are not able to program what are not able to be predicted (2020). © Perry Chen, courtesy of the artist and Mother nature Morte.

He just so transpires to be notably effectively-versed in the complexity of our digitally networked reality, also, due to the fact in addition to remaining an artist he’s also the founder and now chairman of Kickstarter, the hit crowdfunding corporation that has specified increase to plenty of new innovations and resourceful jobs, distributing much more cultural funding than the NEA.

Now, Perry has a new exhibition of his artwork that has just opened at the venerable Nature Morte gallery in New Delhi, identified as “Perpetual Novelty,” and as standard it is all about complexity. He’s also accompanying the show with a new podcast series on that concept, with the first episode being a dialogue with Walter Isaacson, the excellent biographer of Steve Careers, Einstein, and Leonardo da Vinci.

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